Wussy made a good showing in the 2009 Pazz and Jop poll, compiled by the Village Voice and the almost 700 critics who contribute their votes. The self-titled album ranked #109 out of 1934 albums in the poll. Well within the top 10%. Check out the link to the right to see the complete list.
Recently PopMatters did a feature on Wussy. Robert Loss writes: “Perhaps the question isn’t why “keep on keepin’ on,” but how? You can begin by making a record as good as Wussy, an effortless-sounding album full of spit, regret, and, at times, a damn-near spiritual beauty.” Link to the full article is to the right.
While we work on the new record, we’re playing regionally across the Midwest and East Coast throughout the spring. We’ll keep our tour page updated with new dates as they’re added. There’s lots in the works for summer. But for now, here’s what we’ve got.
FEB
19th Melody Inn, Indianapolis
26th Cleveland, Beachland
27th Columbus, Tree House
MAR
6th Detroit, Majestic Theater (duo)
20th Cincinnati, Northside Tavern
25th Chicago, Darkroom
26th Winona, Ed’s Bar
27th Minneapolis, Sauce
APRIL
1st Cincinnati Zoo
10th Dayton, South Park Tavern
14th Pittsburgh, The Smiling Moose
15th Philadelphia, The Fire
16th Manhattan, Cake Shop
17th Brooklyn, Spike Hill
The Cleveland, Columbus, and East Coast dates will be with our good friends The Fervor. We’re thrilled to get to hit the road with these guys and we know you’ll love them, too. We also got word that Shake It just sent off the new “Breakfast in Bed” Wussy single for pressing. It should arrive very soon. Stay tuned.




Heroes of the Zeroes, Fifty reasons why real music fans were lucky to live in Cincinnati in the ’00s: “Ass Ponys fans saddened by that band’s unceremonious disappearance found a more-than-apt substitute with Wussy, Chuck Cleaver’s subsequent group that featured co-singing/writing/fronting partner Lisa Walker. The band’s three albums in the ’00s received national acclaim from big-time media outlets and were among the best releases of the decade, local or otherwise.” (Mike Breen) 









